ArtHouse 429 is please to announce that we are extending Kimberly Brooks’ ‘I Notice People Disappear’ to March 15 and adding new paintings. Please contact Mary Coyle for more information.
“I Notice People Disappear”
February 6 – March 15, 2014
ArtHouse 429 is pleased to present “I Notice People Disappear”, a solo exhibition of new work by Los Angeles-based artist Kimberly Brooks. The exhibit is extended to March 15, 2014.
In Brooks’ latest paintings the viewer encounters a miasmic world of guilty visual pleasures, from opulent clothing and architecture to hazy landscapes and portraits, all seen through her seductively decadent yet playfully loose brushwork. In keeping with previous exhibitions “Mom’s Friends” and “The Stylist Project,” underlying this evocative at times lavish imagery one encounters the psychology of desire, loss, and the uncanny.
In “I Notice People Disappear” Brooks begins each piece against the backdrop of 18th Century British India. Borrowing from sources originally used to document historical events, presentations of wealth, and the grandeur of ancestry she twists these images to appear at once familiar and strange. The viewer finds him or herself in an alternate universe from the Merchant Ivory aesthetic so often associated with this material; Brooks’ perspective of the British Empire seems to come from a fever dream, as rooms careen out of control and ghostlike figures disintegrate into the backgrounds. Abstraction runs throughout the works, bending spaces, interrupting scenes with non sequitur brush marks, and transforming emblems of power into odd smaller paintings, as seen in “Family Tree” and “The Memory of Banquet”.
As each painting teeters between abstraction and representation, going in and out of lucidity, Brooks’ work touches on her own understanding of how painters see and process the visual remnants of history. She uses this model as a keyhole to an alternate reality altogether. The challenge of this particular exhibition comes in part from confronting orientalism and the imagery of empire with the added filter and gaze of the contemporary artist. By warping familiar historical imagery in this manner, Brooks employs the remaining vessel as a means of accessing a subliminal past and in doing so opens a door to a world of her own creation.
Kimberly Brooks work has been showcased in numerous juried exhibitions including curators from Whitney Museum of American Art, Museum of Modern Art, California Institute of the Arts and Los Angeles County Museum of Art. Her work has been featured in publications internationally. Curator Bruce Helander is artistic director and the former founding editor of the Art Economist where he featured Brooks as an “Artist to Watch in 2012”. Brooks received her B.A. from UC Berkeley and Studied Painting at UCLA and OTIS. Born in New York, Brooks lives in Los Angeles and maintains her studio in Venice, CA.